摘要
文字与图像是人类共通的语言,在“图像转向”现代性知识背景下,通过图像来研究汉赋文学,即“汉赋图像学”,是一个新的研究方法和研究领域。汉代是一个“图像”兴盛的时代,画像是汉代文化精神的“图像”彰显;汉赋是“一代之文学”,是汉民族心理的“语象”呈现。汉赋的祭祀宴饮、狩猎出行、乐舞百戏与宫室建筑等主题类型的文字“语象”,与汉画像石、画像砖、墓室壁画中同类画像的视觉“图像”相互印证、比较阐释。汉赋文本与汉画像在语言与图像的相互转换过程中,被赋予极为浓郁的象征性意味,其“图文”间的互文性共同构筑起中华民族早期文化生命的内在驱动力。这是一个时代的烙印,对后代艺术创作与民族形象塑造产生了极为深厚的影响,其所包蕴的民族精神及其深层意义世界彰耀后世文化主题。
Words and images are the common languages of mankind.Under the background of“image turn”of modernity knowledge,the study of Han Fu through images,also know n as“Iconography of Han Fu”,is a new research method and a new field as well.The Han dynasty was an era of“image”prosperity,and portrait is the“image”representing the cultural spirit of the Han dynasty.Han Fu,the“literature of the era”,is the“verbal image”of Han national psychology.This paper compares and contrasts the descriptions of Han Fu and images of Han paintings on the themes of fetes,hunting,operas,and royal palaces,interpreting both the similarities and differences between the Han Fu verses and Han paintings.In the“conversion”between the words and images,Han Fu verses and Han portraits are endowed with a very strong symbolic meaning.The intertextuality of“pictures and verses”jointly constructed the internal driving force of the early cultural life of the Chinese people,w hich had become the mark of an era and highlighted a great cultural theme for generations.
出处
《吉林大学社会科学学报》
CSSCI
北大核心
2020年第1期206-218,224,共14页
Jilin University Journal Social Sciences Edition
基金
国家社会科学基金重大项目(17ZDA249)
关键词
汉赋图像学
汉画像
汉赋
语象
图像
互文性
iconography of Han Fu
Paintings in the Han Dynasty
Han Fu
verbal image
image
intertextuality
