摘要
本文以水彩画这一独特画种在艺术史中发挥的积极作用为着眼点,一方面,梳理了18、19世纪西方美学转向、题材更新与艺术本体价值的彰显同水彩画发展的密切关系;另一方面,总结了新中国成立以来水彩画在建立和完善画种自身体系、搭建不同艺术门类交流平台、对意象美学的实践与发展,以及面对图像信息时代的积极应对等方面所取得的丰硕成果,为从艺术发展的更深层面认识水彩画的当代价值提供了理论依据。
By focusing on the positive effects of watercolor painting as an unique painting form in the history of art,this paper,on one hand,looks back the close relationship between the development of watercolor painting and the occidental aesthetic turning since 18th and 19th century,the innovation of subjects and the advocation in regard to the ontological value of art,on the other,summarizes the fruitful achievements of the watercolor painting since the founding of new China such as the establishment and perfection of itself as a form of painting,setting of a communicating platform among different categories of art,the practice and development in terms of imagist aesthetics and positive response to the age of image.Thus,a set of theoretical basis for understanding the contemporary value of watercolor painting on a profounder level of art progress should be provided.
出处
《美术》
CSSCI
北大核心
2020年第1期11-15,共5页
Art Magazine
关键词
新中国美术
水彩画
绘画性
本体价值
the fine arts of new China
watercolor painting
characters of painting
ontological value
