摘要
叶承宗是明末清初山东历城文人中的重要一员,他的杂剧《贾阆仙》《十三娘笑掷神奸首》《狗咬吕洞宾》为亲友评点,评点时间主要集中在顺治初年至顺治四年,具有一定的时代特色。主要体现在承袭大于创新,评点沿用元明时期“六字三韵”“化工神品”“自然本色”等戏曲理论,在“宗元”思想影响下衍生出“崇明”心理,将徐渭、汤显祖纳入与元代戏曲相同地位,树立起清初杂剧模仿、比附标杆,自觉参与了《四声猿》《牡丹亭》等戏曲经典化的构建。
YE Chengzong is one of the important literati in Licheng city,Shandong area at the turn of Ming and Qing Dynasties whose miscellaneous dramas such as Jia-lang-xian and The Dog Bites LV Dongbing,were commented mainly from the first year to the fourth year of Emperor Shunzhi’s reign,reflecting certain features of the era.The comments demonstrate more inheritance than innovation that inherited the drama theory in Yuan and Ming Dynasties.Under the influence of“worshipping theories in Yuan Dynasty”,there evolved a mentality of“advocating theories in Ming Dynasty”,positioning XU Wei and TANG Xianzu as prominent as Yuan Operas,setting benchmarking for miscellaneous dramas in the early Qing Dynasty and participating in the construction of classic operas such as Peony Pavilion consciously.
作者
张玉梅
ZHANG Yumei(College of Liberal Arts,Shanghai University,Shanghai 200444)
出处
《贵州大学学报（艺术版）》
2020年第1期68-73,共6页
Journal of Guizhou University Art Edition
基金
国家社科基金重大项目“明清评点整理与研究”阶段性成果(项目编号:18ZDA252)
关键词
山东文人
叶承宗
杂剧
《贾阆仙》
Shandong literati
YE Chengzong
miscellaneous drama
Jia-lang-xian
