摘要
借助女性主义视角重新观照跟审视《桃花扇》文本,我们可以发现在女主角李香君跟其他人物的互动关系中,充斥着“看”与“被看”,“赏鉴”与被“赏鉴”的不平等关系。“天生尤物”与“贞洁烈女”的属性设置充分迎合了男性文人的审美趣味与心理需求;李香君胸次高迈、“事事英雄”的刚烈风姿也不过是男性审美期待制约下的产物,带有明显的“神本化”人格异化色彩。这一人物形象集中体现了数千年封建文化浸润之下把持书写权的男性文人不自觉地对女性进行规范跟压迫这一不争事实。完美表象下隐藏的是男性文人心设的幻影而非女性真实自我诉求。
Looking at the text of The Peach Blossom Fan with the help of feminist reading method,we can find that there is an unequal relationship of“being watched”in the interaction between the heroine and other characters.The two seemingly contradictory character traits of sex appeal and chastity fully cater to the aesthetic needs of male literati.The heroic heroine Li Xiangjun,who is just as heroic as the male,is just a product of the male aesthetic expectation,which has obvious personality alienation color of“good orientation”.The figure of Li Xiangjun reflects the obvious fact that the male literati who controlled the right of writing under the infiltration of thousands of years of feudal culture unconsciously regulated and oppressed women.What lies beneath the surface of perfection is a false image rather than a woman’s true self-appeal.
作者
刘冰
LIU Bing(School of Literature,Wenzhou University,Wenzhou 100089,China)
出处
《宜春学院学报》
2020年第1期99-103,共5页
Journal of Yichun University
关键词
女性主义
李香君
《桃花扇》
尤物
贞洁烈女
feminism
LI Xiangjun
The Peach Blossom Fan
stunner
chaste women
