摘要
陶瓷彩绘堆雕技法是众多陶瓷装饰中的一个门类,而中国画对陶瓷彩绘有着巨大的推动作用。不管是从其表现特征还是艺术本质出发,这两门艺术都密不可分。而陶瓷堆雕画运用堆雕技艺渗入国画的创作审美认知,创造出一种极具立体感的平面艺术。本文通过将陶瓷堆雕艺术渗入对中国画的创作提供思考,纵向对比陶瓷堆雕技法以及中国画技法的对比,希望给日后陶瓷彩绘堆雕艺术家提供推动作用。
The stack carving technique of ceramic painting is one of the categories of ceramic decoration, and Chinese painting has a huge role in promoting ceramic painting. No matter from its performance characteristics or the essence of art, the two arts are inseparable. The ceramic engraving art infiltrates the aesthetic cognition of traditional Chinese painting and creates a very three-dimensional plane art. In this paper, through the infiltration of ceramic heap carving art to the creation of Chinese painting to provide thinking, vertical comparison of ceramic heap carving techniques and the comparison of Chinese painting techniques, hoping to provide a driving role for future ceramic heap carving artists.
作者
邵俊松
Shao Junsong(Songjun Yipin,Jingdezhen,333000)
出处
《陶瓷研究》
2019年第6期110-112,共3页
Ceramic Studies
关键词
中国画
陶瓷
彩绘
堆雕
Chinese painting
ceramics
color painting
heap carving
