摘要
日本的"物派"建立了东方现代艺术的可能性。现代艺术从发生的开始就常常与哲学、科学、宗教、社会、艺术等各方面相联系。在这个逻辑下看待现代陶艺,我们就不能只将其看做制作工艺或者使用材料的问题,而应该从最根本的人与陶之间的关系入手,思考现代陶艺的发展方向。
The "Mono-ha" of Japan established the possibility of Oriental modern art. From the beginning of modern art, it is often associated with philosophy, science, religion, society, art and other aspects. Under this logic, we can not only see modern ceramic art as a matter of making technology or using materials, but also think about the development direction of modern ceramic art from the most fundamental relationship between people and pottery.
作者
刘枫林
Liu Fenglin(Nan Guang College,Communication University of China,Narijing,China,211172)
出处
《陶瓷研究》
2019年第6期1-6,共6页
Ceramic Studies
关键词
现代陶艺
物观
物派
现代艺术
Modern ceramic art
Material view
Mono-ha
art enlightenment
