摘要
无锡派是对江苏乃至江南地区琵琶产生影响最大的流派,其传承谱系可分为直系、旁系与"泛无锡派"传承谱系三个层面。华秋苹之后,徐悦庄、吴畹卿、杨廷果、邹道平、沈养卿、乐述先、唐石琴、杨荫浏等师承关系较为清晰的传人构建了其直系传承谱系;刘天华、周少梅父子、曹安和等因其与无锡派有着短期与兼学的交集,可视为该派的旁系弟子。周少梅、刘天华的再传弟子储师竹、吴伯超、蒋风之、闵季骞以及无锡的华清和、华彦钧父子等因间接受到无锡派影响,且同受环太湖文化圈民间音乐共同滋养而可划归"泛无锡派"。在传承方式上,无锡派的个体(家族与师徒)传承体现为"多师多派多专多能"的开放包容性,其群体(社团与院校)传承体现为多元并存的态势,共同推动无锡派琵琶的发展。
The Wuxi style is the school that has the greatest influence on Pipa in Jiangsu and even the Jiangnan area. Its inheritance genealogy can be divided into three levels: lineage, collateral genealogy, and the "pan Wuxi school". After Hua Qiuping, Xu Yuezhuang, Wu Wanqing, Yang Tingguo, Zou Daoping, Shen Yangqing, Le Shuxian, Tang Shiqin, Yang Yinliu and other successors with clear relationship established their lineage inheritance pedigree;Liu Tianhua, Zhou shaomei and his son, Cao Anhe and others can be regarded as collateral disciples due to their short-term relationship with the Wuxi school. Chu Shizhu, Wu Bochao, Jiang Fengzhi and Min Jiqian, the retransmitted disciples of Zhou Shaomei and Liu Tianhua, as well as Hua Qinghe and Hua Yanjun in Wuxi, were influenced by Wuxi school, and were nourished by folk music in the Taihu Lake Cultural Circle, so they can be classified as "pan Wuxi school". In the way of inheritance, it is embodied in the open inclusiveness of "multi teachers, multi schools, multi specialties, and multi abilities".
出处
《南京艺术学院学报（音乐与表演版）》
CSSCI
2019年第4期47-51,I0002,共6页
Journal of Nanjing Arts Institute:Music & Performance
基金
江苏省2017哲学社会科学基金一般委托项目“江苏音乐史”（课题编号：17WMB024）的阶段性成果
