摘要
彝族毕摩绘画是彝族传统绘画的主要组成部分。它是彝族原始宗教活动、祭祀礼仪发展和延续的产物。毕摩绘画记录了一个古老民族社会生活的方方面面,它描绘了彝族在历史上的延续。绘画根植于彝族历史文化,以宗教祭祀、图腾崇拜为主要表现题材。这些绘画创作手法简洁凝练、画风古质朴素、思想自由奔放。绘画内容既有现实性又有神秘感。毕摩绘画是人类重要的非物质文化遗产,具有无可替代的审美内涵。
Bimo painting is the main part of Yi traditional painting. It’s the product of religious activities and rituals of Yi.The painting records the social life of Yi. They are based on the history and culture of the Yi.It mainly expresses religious worship and totem worship. These paintings are simple and concise. The style is simple and free. The painting is realistic and mysterious. Bimo painting is an important intangible cultural heritage of mankind. It has an irreplaceable aesthetic connotation.
作者
冯能锋
FENG Neng-feng(School of Literature,Guizhou Normal University,Guiyang,Guizhou550001,China)
出处
《贵州工程应用技术学院学报》
2019年第6期49-53,共5页
Journal of Guizhou University Of Engineering Science
基金
2017年贵州工程应用技术学院项目“彝族审美意识研究”,项目编号:LHQN1708
关键词
毕摩绘画
图腾崇拜
造型
审美
Bimo Painting
Totem Worship
Modelling
Aesthetic