摘要
从景观人类学研究的视角,将景观视为人-地互动的产物,存储社会群体集体记忆和象征意义的符号,对侗族旅游社区广西程阳八寨的鼓楼景观空间生产过程进行田野观察分析。结果表明:规划者以游客需求为导向对鼓楼景观空间进行建构、改造和再生产,对景观地方性空间意义关注较少;游客通过凝视参与景观空间的生产与消费,着重于自我意义的实现;社区居民在鼓楼景观空间生产中呈现出积极的主动性和创造力,通过变易、领有、让步等策略让社区符号景观得以重新满足当下生产生活的空间需求。
Based on the perspective of landscape anthropology,landscape is the product of tounist-landscape interaction,and a symbol that stores the collective memory and symbolic meaning of social groups.The field work took the drum towers of Chengyang area as research object,and analyzed the production and construction of drum tower landscape space in Dong tourism community.The results show that planners are guided by the needs of tourists in construction,renovation and reproduction of the drum tower landscape space,they pay less attention to local meaning of landscape space.Tourists participate in the production and consumption of landscape space through tourist observation,they focus on self-realization.Community residents show active initiative and creativity in the production of drum tower landscape space.They try to make the community landscape symbol to meet the current tourism and production needs by some strategies,such as changing,investing and yielding.
作者
杨艺
吴忠军
YANG Yi;WU Zhong-jun(Southwest Minzu Research Institute,Southwest Minzu University,Chengdu 610041,China;College of Tourism&Landscape Architecture,Guilin University of Technology,Guilin 541006,China)
出处
《桂林理工大学学报》
CAS
北大核心
2019年第4期983-989,共7页
Journal of Guilin University of Technology
基金
国家社会科学基金项目(16CMZ021)
广西民族旅游研究中心开放基金项目(MZLY10)
关键词
符号
景观
民族旅游社区
空间生产
侗族鼓楼
symbol
landscape
ethnic tourism community
space production
Dong Nationality’s drum tower
