摘要
本文在“GD构形设计/GI构形意图”理论的基础上,探寻原始造字者使用的某些技巧,其中之一就是字形直立化,有“—(一)”和“(目)”:“—”的直立化形成“(十)”,“(目)”的直立化形成“(臣)”。此二字在古汉字的历史发展过程中被“重新再分析”(reanalyzed),表现出不同的形义。笔者将对其产生过程进行讨论。
On the basis of our theory referred to as GD(graphic design)or GI(graphic intent),this paper searches for certain techniques the original scribes—the creators of the graphs employed,specifi cally the verticalization of a graphic unit as may be discerned in:—(一)and(目).The verticalization of the former results in|(十),and that of the latter results in(臣).In the evolutionary history of the ancient Chinese characters,these two graphs were reanalyzed for they yield different forms and meanings.The paper discusses in what way the process of evolution have been engendered.
作者
高岛谦一
(Canada)Ken-ichi TAKASHIMA
出处
《汉字汉语研究》
2019年第4期3-10,87,124,共10页
The Study Of Chinese Characters And Language
