摘要
贵族清谈、佛教活动对语言音乐美的普遍讲求,构成齐梁声律论的外部背景。而就文学内部而言,辞赋因其在由言向文、由谋篇到练字、由散到骈等文学发展脉络中的独特地位,有效地推动了声律论的发生发展。赋学因此成为声律论争的重要话语资源:不仅涵盖自然与人为声律之争、赋史流变等时代语境,而且暗含后世辞赋古、律之争的端倪。同时,声律论反过来又深刻影响了沈约、庾信等齐梁赋家的创作,沈约、王筠《郊居赋》纪事便是梁初声律传承的重要佐证。齐梁声律论也因其在律赋书写规范确立中的作用,成为辞赋音乐谱系构建的关键一环。
The general pursuit of the musical beauty of the language in aristocratic conversation and Buddhist activities forms the backdrop of the theory of Linguistic Rhythm in the Qi and Liang Dynasties. As far as the intrinsic of literature is concerned, Ci Fu effectively promotes the development of the theory of Linguistic Rhythm because of its unique position in the context of literature development from words to texts, from Mou Pia n(谋篇)to Lian Zi(练字), and from San(散) to Pian(骈). Fu Xue has become an important discourse resource for the debate on the rhythm: Fu Xue not only covers the argument of the natural and artificial rhythm and the evolution of Ci Fu, but also the controversy of the Gu Fu and the Lv Fu in later dynasties. At the same time, the theory of Linguistic Rhythm has in turn influenced the formation of Shen Yue and Yu Xin, as well as other Fu Jia in the Qi and Liang Dynasties. Shen Yue and Wang Yun’s discussion of Jiaoju Fu offers an important evidence by which the next generation inherits the theory of Linguistic Rhythm from the previous generation. Qi Liang’s theory of Linguistic Rhythm has also become a key link in the construction of the music pedigree system of Ci Fu, due to its role in the establishment of the Lv Fu’s writing specification.
作者
刘祥
LIU Xiang(College of Humanities and Social Sciences,Xi’an Jiaotong University,Xi’an 710049,China)
出处
《中南大学学报（社会科学版）》
CSSCI
北大核心
2020年第1期177-185,共9页
Journal of Central South University：Social Sciences
基金
国家社科基金青年项目“汉赋纪事文献传播与叙事结构研究”(18CZW031)
关键词
声律论
赋学
沈约
《郊居赋》
庾信
the theory of Linguistic Rhythm
Fu Xue
Shen Yue
Jiaoju Fu
Yu Xin
