摘要
语义偏离是20世纪90年代诗歌的典型表意方式之一。从类型上看,20世纪90年代诗歌的语义偏离可分为意义的偏离、感情色彩的偏离和功能的偏离三种类型;就新生成语义与原有语义关系来说,偏离又可分为比原有语义多、与原有语义无关以及与原有语义相悖三种情况。语义偏离打破了固定的思维模式与词/物对应关系,超越了词语原有意义的限定,实现了语义的增殖。
Semantic deviation is one of the typical ways of poetry in the 1990s.From the perspective of type,semantic deviation of poetry in 1990s can be classified into three types:the deviation on meaning,emotion and function.On the the relationship between the newly generated semantics and the original semantics,semantic deviation also can be divided into three kinds:more original semantics,no original semantics,and opposite original semantics.Semantic deviation breaks the relationship between the fixed thinking pattern and word/object,transcends the restriction of word original meaning of word,and realizes the proliferation of semantics.
作者
范云晶
FAN Yun-jing(College of Literature and Journalism,Inner Mongolia University,Hohhot,Inner Mongolia 010070,China)
出处
《长沙理工大学学报(社会科学版)》
2020年第1期86-91,共6页
Journal of Changsha University of Science and Technology:Social Science
基金
教育部人文社会科学研究规划基金项目(19YJA751009)
关键词
语义偏离
20世纪90年代诗歌
表意方式
语义增殖
semantic deviation
poetry in the 1990s
ideographic method
semantic proliferation