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论金子美玲诗作的寂寞心结

On the Solitary Complex of Kintsu Milam’s Poetry
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摘要 金子美玲的诗作大都浸染着深沉的无法排遣的寂寞感。从精神维度看,这是一种生命本体意义上的孤独感,虽失却精神联系却又怀有痛苦的渴望;从时间维度看,表现为对逝去的美好童年的无尽追思;从空间维度看,表现为对正在消失和已经消失的单纯自然的乡村的诗意缅想。筑梦童年与乡村,潜含着柔弱天真的女诗人对现实不适的有意逃离与隐形反抗。诗人视寂寞为连接个人感觉与意义的纽带,把寂寞与痛苦绾在一起,用寂寞来包裹和抑制巨大的痛苦,痛苦中渗透爱与哀怜。金子美玲既热爱、迷恋一个冰清玉洁的儿童世界,也怜悯、痛惜于这个卑微受难的儿童世界。诗人深切厌烦寂寞,徒劳反抗寂寞,最后全息系情寂寞,以图阻断成人和现实以维护个体独立性与完整性,陷入悲剧性的轮回与宿命的深渊中。 Most of Kintsu Milam’s poems are imbued with deep loneliness.From the spiritual aspect,the loneliness,embracing the solitude of life noumenon,has not the spiritual connection but still has a painful desire.From the time dimension,it shows the endless recall of her lost happy childhood.From the spatial aspect,it manifests her poetic missing of the pure natural countryside which is vanishing or has disappeared.Missing her childhood and the countryside implies her intentional escape and invisible resistance to the reality discomfort.She regards the loneliness as a link between sensation and meaning,ties it to pain and wraps it up with pain to restrains from pain,which permeates love and pity.Kintsu Milam is not only mad about one pure and noble children’s world,but also deeply regrets for this suffering world.She,tired of loneliness,fights against it in vain but she totally depends on it to block the adult and the reality to maintain the independence and individual integrity.She finally lands herself in the tragic return and the fatal abyss.
作者 王念灿 WANG Nian-can
出处 《闽南师范大学学报(哲学社会科学版)》 2019年第4期86-91,96,共7页 Journal of Minnan Normal University:Philosophy and Social Sciences
关键词 金子美玲 寂寞 童年 乡村 矛盾 Kintsu Milam loneliness childhood countryside contradiction
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