摘要
“心理距离”作为布洛美学理论的核心,其审美范畴“距离的内在矛盾”“距离的易变性”和“最佳距离”均与此相关并围绕其展开。在“心理距离”审美范畴内,以非功利视角对《哈克贝利·费恩历险记》在空间、时间、主题、人物等方面的“心理距离”进行检视,可以发现其强大的艺术魅力,在审美上并没有失之于“距离太近”;从主客体之间经验吻合程度的差异来看,读者能够在理解与情感上产生共鸣,在审美上也没有失之于“距离太远”。两者相结合,达到了布洛所追求的“最佳距离”。马克·吐温匠心独运保持的“最佳距离”最终使得这部小说长久不衰地屹立于世界文学之林。
As the core of Edward Bullough’s aesthetic theory,psychological distance has three domains that revolve around it.The three domains are inner contradiction of distance,variability of distance and perfect distance respectively.Great artistic charm could be revealed through the examination of psychological distance of The Adventures of Huckleberry Finn in the aspects of space,time,theme,character,etc.from a non-utilitarian perspective.The novel does not keep a too short psychological distance that fails to be appreciated aesthetically.By examining the coincidence of experience between subject and object in aesthetics,a responsive chord in its readers could be struck and the psychological distance shown in the novel is just right.Combined the above two,it is concluded that the novel has reached a perfect psychological distance that Bullough has been striving for.It is Mark Twain’s ingenuity to keep perfect psychological distance that makes his work a monumental one in world literature.
作者
欧阳乐
OUYANG Le(Department of Foreign Languages,Guangdong University of Education,Guangzhou,Guangdong,510303,P.R.China)
出处
《广东第二师范学院学报》
2019年第6期88-96,共9页
Journal of Guangdong University of Education
