摘要
魏晋南北朝时期,文学渐至走向自觉独立,自身审美价值愈加彰显并得到更为广泛的认同。与此同时,《周易》经传美学特征得到重视,进而影响到文学审美倾向的生成与确立。这一时期的文学与文论作品尤其值得注意,突出者如《文心雕龙》,它们大都继承了《周易》经传中“文”缘自然的题旨,“立象以尽意”的表达手法,以及由“阴阳气论”发展而来的“文以气为主”“气韵生动”等美学观念。由此可以看出,《周易》经传体现的忧患意识,逐渐酿化出一种“含章之美”“以悲为美”的审美风尚,其中蕴含着独特而又鲜明的文化与美学价值,颇值得梳理和探索。
During the period of Wei,Jin,Southern and Northern Dynasties,literature gradually moved towards self-conscious independence,and its aesthetic value became more and more obvious and was widely recognized.At the same time,the aesthetic characteristics of Zhouyi had been paid attention to,which further affected the formation and establishment of literary aesthetic tend ency.The literary and works about literary theory in this period were especially noteworthy.The outstanding ones,such as Wen Xin Diao Long,mostly inherited the theme of "Wen"and nature in the book of changes,the expression method of"setting up images to fulfill the meaning",and the aesthetic concepts of "Wen is based on Qi" and"Qi rhyme is vivid" developed from "Yin and Yang Theory".It could also be seen from this that the sense of suffering embodied in The Book of Changes gradually produces a kind of aesthetic fashion of "beauty with chapters" and "beauty with sadness",which contained unique and distinct cultural and aesthetic values,and is quite worth combing and exploring.
作者
卫剑阙
王承丹
WEI Jian-que;WANG Cheng-dan(College of Humanities,Xiamen University,Xiamen 361005,China)
出处
《渭南师范学院学报》
2019年第12期46-53,共8页
Journal of Weinan Normal University
关键词
魏晋南北朝
《周易》
经传美学
传承
Wei,Jin,Southern and Northern Dynasties
Zhouyi aesthetics
inheritance
