摘要
郭沫若的历史剧创作风格经历了从早期的浪漫主义到后期的现实主义的变化,晚期的作品有一定喜剧色彩,在历史剧主人公的选择以及对历史性的重现方面也有一定程度的变化。郭沫若的历史剧观的形成受泛神论和现实主义悲剧史观的影响,秉持现实主义和浪漫主义的创作方针。郭沫若历史剧观的发展变化表现了他历史剧观的不断完善和创新,也彰显了他逐步把握了历史剧的精神内核,其作品具有较强的战斗性和开创性。
As a historical playwright, Guo Moruo has demonstrated his turning from romanticism to realism. Changes can also be seen in that he writes with comic devices and that he selects different protagonists, under the influence of pantheism and pessimism. However, he adheres to principles of realism and romanticism, and the development and change of his historical view shows that his literary works are creative and powerful.
作者
田墨
TIAN Mo(School of Chinese,Hebei University,Baoding,Hebei 071000,China)
出处
《石家庄职业技术学院学报》
2019年第5期49-52,共4页
Journal of Shijiazhuang College of Applied Technology
关键词
郭沫若历史剧观
浪漫主义
现实主义
悲剧和喜剧
historical study drama of Guo Moruo
romanticism
realism
tragedy and comedy
