摘要
《材料与注释》作为洪子诚的新近学术力作,在当代文学研究形式、材料选择、问题推进等层面均拓展了新的思路与空间。细读其作,将其纳入作者学术研究的脉络中展开讨论。“材料”既是该书显在的特色,亦在编排选择的过程中形成了具体的“问题”。“材料”即是“声音”交汇、碰撞的场域,其中,持有各自身份的在场者们各自的声音,或因情境、态度、立场、甚至表述等缘由客观造成了不同的历史叙述与记忆,而通过作者的选择、编排材料则某种意义上激活了历史深处被遗忘,甚至是被压抑的声音,同时,“材料”本身作为人的声音的集合体,在处理的过程中,也呈现出某种限度与难度。
Cailiao Yu Zhushi,as a recent masterpiece of Hong Zicheng is opening up new thoughts and spaces about the study forms of contemporary literature,document collections and promote the resolution of the problem.By the way of closing reading,this paper tries to place this book on the context of Hong academic study,and combines with the document collections of this book,different“sound”confrontation,moral criti?cism of contemporary literature and so on,is expecting to find the contend gap about Cailiao Yu Zhushi.
作者
张皓涵
ZHANG Hao-han(School of Literature and Journalism,Minzu University of China,Beijing100081,China)
出处
《贵州工程应用技术学院学报》
2019年第5期78-83,共6页
Journal of Guizhou University Of Engineering Science
