摘要
李绿园《歧路灯》从理学家教化的立场学习借鉴戏曲艺术,大量描写了乾隆年间从京师到河南首府开封的戏曲活动,在形成《歧路灯》内容与形式特点的同时,也加强并丰富了古代小说与戏曲两大艺术门类的融和交流。《歧路灯》作为一部章回小说,同时也是研究清中叶戏曲特别是河南中州地方戏曲艺术的宝贵资料。《歧路灯》的这一文献价值已经并必将更加受到学者的重视。
There are lots of references in Li Lvyuan’s the Light of Crossroad from the perspective of the moralizing Neo-Confucianism,as well as lots of descriptions of traditional Chinese opera from Beijing to Kaifeng,the capital city of Henan during Qianlong Period.While developing the content and style feature of the Crossroad type of works,the novel contributes to the integration and exchanges between two artistic genres:classic novels and traditional Chinese operas,which makes the multi-chapter novel a perfect reference for the research of traditional Chinese local operas in the mid-Qing Dynasty esp.in Zhongzhou Henan.The literary research value of the Light of Crossroad has been and will be more noted by the scholars.
作者
杜贵晨
DU Gui-chen(School of Chinese Language and literature,Shandong Normal University Jinan,250014,China)
出处
《大连大学学报》
2019年第5期66-72,81,共8页
Journal of Dalian University
关键词
《歧路灯》
戏曲艺术
剧种
戏班
the Light of Crossroad
art of opera
opera genre
theatrical troupe
