摘要
从审美现代性的角度讨论中国现代悲剧观念的问题,对于中国美学研究而言,具有理论上的重要意义。在美学上,中国的审美现代性不仅仅是对社会现代化过程的质疑和批判,其从一开始就对资本的生产方式,包括它的制度和文化产生了深刻的批判和质疑,同时对中华传统文化中的悲剧人文主义抱有一种深深的同情。对中国现代悲剧观念的研究,最重要的研究方法是历史唯物主义。将历史唯物主义方法适用于中国现代悲剧观念的理论分析,可以分别从历史哲学、审美表达机制以及具体的艺术作品分析三个层面来分析和阐释。从审美人类学的角度看,这三个层次分别对应于哲学人类学、审美制度研究和艺术作品的“深描”三个层次,只有从这三个层次分别作出分析,才有希望达到理论的彻底性。
To discuss the concept of modern Chinese tragedy from the perspective of aesthetic modernity is theoretically significant to the study of Chinese aesthetics.Aesthetically,China’s aesthetic modernity is not just a question and critique of the process of social modernization.It has profoundly critiqued and questioned the way capital is produced,including its system and culture.Meanwhile,it has deep sympathy for the tragic humanism in Chinese traditional culture.The most important research method for the study of modern Chinese tragedy is historical materialism.The historical materialism method is applicable to the theoretical analysis of modern Chinese tragedy concepts and can be analyzed and interpretated from three levels:historical philosophy,aesthetic expression mechanism,and specific analysis of artistic works.From the perspective of aesthetic anthropology,these three levels respectively correspond to philosophical anthropology,aesthetic system research,and“deep description”of artistic works.Only by analyzing from these three levels can we hope to reach the theoretical Thoroughness.
作者
王杰
王真
WANG Jie;WANG Zhen(College of Media and International Culture,Zhejiang University,Hangzhou 310007,China)
出处
《学习与探索》
CSSCI
北大核心
2019年第11期154-161,196,共9页
Study & Exploration
基金
国家社会科学基金重大项目“当代美学的基本问题及批评形态研究”(15ZDB023)
