摘要
以普朗克《升C小调钢琴协奏曲》为例,详细介绍了普朗克通过灵活运用马戏团音乐元素,形成了轻松,风趣与诙谐独特的钢琴作品风格发扬了本国的文化和价值观念,让法国音乐在历史长河中寻得一席之地。文章首次从社会环境、个人经历和人物性格三个方面系统地分析了这种风格形成的根本原因,这对于现代钢琴音乐创作具有重要的借鉴意义。
Taking Poulenc's piano concerto in C-sharp minor as an example,this paper introduces in detail a unique piano work style(relaxed,funny and humorous)formed by Poulenc's flexible use of circus music elements.It has promoted the culture and values of the country and allowed French music to find a place in the long history.It is primary to systematically analyze the root cause of this style from three aspects of social environment,personal experience and character,which has important reference significance for modem piano music creation.
作者
李妙璇
LI Miao-xuan(School of Music and Dance,Guangdong Teachers College of Foreign Language and Arts,Guangzhou 510640,Guangdong,China)
出处
《黔南民族师范学院学报》
2019年第5期124-128,共5页
Journal of Qiannan Normal University for Nationalities
基金
2017年广东省外语艺术职业学院校级青年课题“二十世纪上半叶中法钢琴音乐的民族性研究”(2017QN08)阶段性成果。
