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现实主义的中国化探索——新中国油画70年的审美再造 被引量:10

Sinicizing Explorations of the Realism in China:The Aesthetic Renascence of Chinese Oil Painting in the Past 70 Years
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摘要 本文通过“理想主义的颂歌:社会主义现实主义油画的中国化探索(1949-1977)”、“历史与人性真实的探寻:从批判现实主义到新古典主义(1978-1999)”和“日常书写与宏大叙事:从具象写实到历史现实主义(2000-2019)”三个时段,对新中国70年油画现实主义道路进行了历史梳理,并对现实主义的中国化与油画本土意蕴的关系进行了分析.作者认为,油画艺术领域的现实主义一方面充当了中国美术现实主义美学思想的急先锋,它在传播欧美现实主义、现当代艺术理念上往往具有直接转译的作用;另一方面,中国油画的现实主义又深入地和中国社会变革、文化理念相互结合,每一轮现实主义价值理念的流变都是中国社会、中国文化的内在审美需求而重新择取欧美现实主义养分并进行中国化探索的结果. In this paper,a historical study was conducted on the realistic path of oil painting in new China in the past 70 years since the founding of the Peoples Republic of China,which was divided into three stages,namely "an ode to idealism:an exploration of socialist realistic oil painting in China(1949-1977)","an exploration of true history and human nature:from critical realism to neoclassicism(1978-1999)"and wa depiction of daily life and grand narrative:from figurative realism to historical realism(2000-2019)".Besides,an analysis was also made on the relationship between realism in China and local implications of oil painting.The author holds that realism in the field of oil painting,on the one hand,serves as the vanguard of realistic aesthetic thought in Chinese fine art;on the other hand,the realism of Chinese oil painting is also deeply combined with the social reform and cultural concepts of China,and each round of changes in realistic values results from selectively absorbing new nutrients from European and American realism and conducting explorations in China based on the intrinsic aesthetic needs of the society and culture of China.
作者 尚辉
出处 《美术》 CSSCI 北大核心 2019年第11期6-16,共11页 Art Magazine
关键词 现实主义 新中国油画 历史演变 本土化特征 realism oil painting in new China historical evolution localization
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