摘要
“力”是尼采思想的核心字眼,从他对“日神精神”“酒神精神”中论述力量起,到他提出“力量意识”“权力意志”,这构成了尼采思想中的一条演进脉络。尼采对“力”的重视,既和他个人的因素有关,也和叔本华的学说、瓦格纳的音乐以及黑暗的基督世界、贫瘠的文化现实相连。“力”在尼采的思想中蔓延广泛,就美学领域而言,他在论述中将“力”和艺术、“力”和美感、“力”和“丑感”等相连,揭示出“力”在美学领域的辐射和影响。
“Force”is the core word of Nietzsche’s thought.From his discussion of“the spirit of the sun god”and“the spirit of Dionysus”to his discussion of“the consciousness of power”and“the will to power”,this constitutes an evolutionary thread in Nietzsche’s thought.Nietzsche’s emphasis on force is connected not only with his personal factors,but also with Schopenhauer’s doctrine,Wagner’s music and the dark Christian world and barren cultural reality.In the field of aesthetics,he connected“force”with art,“force”with beauty,“force”with ugliness and so on,revealing the radiation and influence of“force”in the field of aesthetics.
作者
詹文伟
ZHAN Wenwei(School of Humanties,Harbing Normal University,Harbin Heilongjiang 150000,China)
出处
《成都理工大学学报（社会科学版）》
2019年第6期58-62,共5页
Journal of Chengdu University of Technology:Social Sciences
关键词
尼采
美学思想
力
脉络
艺术
Nietzsche
aesthetic thought
force
context
art
