摘要
有别于欧陆现象学生态美学和英美分析哲学环境美学,中国之生态美学是包括中国古代生态审美智慧、资源与话语的具有中国气派、中国风格的生态美学体系,我们名之曰“生生美学”。源于《周易》的中国古典哲学是关于“生”的哲学,古代中国重要的哲学家均围绕“生”展开其哲学体系。由《周易》所谓“天地化生万物”之“生生之德”,转化为“生生之美”,形成中国传统的生命哲学、生命美学。此“生生美学”是人文的、交融性的,西方的生命哲学、生命美学是科学的、区分性的。“生生美学”的文化特点可概括为:一、天人合一的文化传统,二、阴阳相生的生命美学,三、“太极图示”的艺术思维模式,四、总体透视的艺术特征,五、“言在意外”的意境审美模式。中国“生生美学”主要存在于传统艺术和艺术理论中,因此,我们需要到传统艺术中去追寻、概括、研究,进行创造性转化,以建构具有中国特色、中国气派的“生生美学”理论体系。
Different from European phenomenology ecological aesthetics and British and American analytic philosophy environmental aesthetics,Chinese ecological aesthetics include Chinese ancient ecological aesthetics wisdom,resource and discourse.Chinese ecological aesthetics is ecological aesthetics system with Chinese style and Chinese characteristics.We name it as aesthetics of fecundity of life.Chinese classic philosophy developed from Zhou Yi is the philosophy about fecundity.All-important Chinese philosophers talked about their philosophical thoughts about fecundity.They created aesthetics of fecundity of life from morality of fecundity of life.Aesthetics of fecundity of life is humane and mixed while western ecological aesthetics and environmental aesthetics are scientific and divided.There are several features of aesthetics of fecundity of life:traditional cultural theory that man is an integral part of nature,ecological aesthetics of combination of Yin and Yang,Tai Ji model of artistic thinking,perspective artistic characteristics,prospect aesthetic model.Chinese aesthetics of fecundity of life live in traditional art and artistic theory.Therefore,we need find,summary and research on traditional art to transfer into aesthetics of fecundity of life with Chinese characteristics and Chinese style.
出处
《济南大学学报（社会科学版）》
CSSCI
2019年第6期8-12,F0002,157,共7页
Journal of University of Jinan:Social Science Edition
