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诗序自注及其文学传播意义探析——以唐宋为中心

Self-Annotation of Poems Preface and its Literature Communication Significance——A Case Study of the Tang and Song Dynasty
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摘要 诗序自注是一种少见的诗歌自注体例,尚未引起学界的足够重视。由于客观推动与表达需要,诗序自注自中唐开始出现,之后逐渐发展壮大。唐宋诗序自注以意义自注为主,兼具音训自注、出处自注、观点自注、事件自注等多种类型。诗序是对诗歌的"一次诠释",诗序自注则是"二次诠释",它拓展了诗歌传播的内容空间,具备文学传播意义。 Self-annotation of preface is a rare stylistic rules and layout of poems, which has not been much explored yet. It first appeared in the mid-Tang dynasty, which gradually developed afterwards. Owing to objective promotion and expression need, mself-annotation of poem preface in Tang and Song dynasty formed diverse types of self-annotations, including self-annotation of meaning, pronunciation and tone, viewpoint self-annotation, and event self-annotation. Poem preface was explanatory notes for poems, and self-annotation of poem preface was re-explanatory notes, which expanded the content space and contributed to literary propagation.
作者 林阳华 LIN Yang-hua(School of Culture and Communication,Sanming univeristy,Sanming 365004,China)
出处 《江南大学学报(人文社会科学版)》 2019年第5期86-92,共7页 Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词 诗序自注 诗句自注 诗题自注 文学传播意义 Self-annotation of poem preface Self-annotation of poetic sentence Self-annotation of poetry title literary propagation significance
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参考文献3

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  • 3任文京著..唐宋诗序跋研究[M].北京:人民出版社,2016:476.

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