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20世纪30—40年代中国现实主义电影的儒学传统与语言表达

Confucian Tradition and Expression of Early Chinese Realistic Films(1930S-1940S)
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摘要 儒家文化作为长期根植于中华民族心理的支柱性存在,不仅深刻影响着诗歌、绘画、书法等传统艺术门类,与电影在中国的发展也密不可分。在厘清“现实主义”的概念基础上,从积极入世精神、“仁”之思想与“天人合一”观念三个方面,来论述儒家文化传统对早期中国现实主义电影美学与语言表达的影响,探寻中国现实主义电影的发展脉络,并以此对当下国产电影的现实主义创作现状形成观照。 As a pillar rooted in Chinese national psychology,Confucian culture not only has a profound impact on traditional art categories such as poetry,painting and calligraphy,but also is closely related to the development of film in China.On the basis of clarifying the concept of realism,this paper attempts to discuss the influence of Confucian cultural tradition on the aesthetics of early Chinese realistic films from three aspects:the spirit of entering the world,the thought of benevolence and the concept of“the unity of man and nature”,and to explore the unique development of Chinese realistic films,so as to help to analyze the present situation of realistic creation of domestic films.
作者 赵雨 Zhao Yu(Taishan Publishing House,Ji’nan 250014,China)
机构地区 泰山出版社
出处 《现代语文》 2019年第9期118-122,共5页 Modern Chinese
关键词 中国早期电影 现实主义 儒家文化 Chinese early films realism Confucian culture
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