摘要
纳博科夫的小说《斩首之邀》是一部极具争议的经典之作,在俄侨文学界引发了关于“非俄罗斯性”与“俄罗斯性”的持久纷争,而作家本人则称其为“自拉自娱的小提琴”。其实,这种演奏或游戏是具有“神性”的,这就是宗教精神。读者可以在这些看似文字游戏的创作中,感受精神的“神性”和信仰的力量。纳博科夫的文学创作就是在践行这种独特的文学艺术观,在文学创作中实现宗教的内省。作家通过人的群体的物化与物的个人主体化的双向互动,在主观的现实表现中隐喻批判了西方文明的“物化”,体现了俄罗斯民族的宗教精神。这种以“爱”为核心的精神能够将万事万物统一起来,让文学创作富有灵性。本文力图从宗教哲学角度探寻纳博科夫文学游戏中的创作隐喻和信仰根基,以期为经典文艺作品的理解阐释,提供一条值得借鉴的研究路径。
Nabokov's novel Invitation to a Beheading is a highly controversial classic,which has caused a long dispute between“non-Russian nature”and“Russian nature”in Russian emigrant literary circles.The writer himself called it“a violin in a void”.I argue that this kind of play or game is“divine”,which is the spirit of religion.Readers can feel the spiritual divinity and the power of faith in the creation of these seemingly word games.Nabokov's literary creation is to practice this unique view of literature and art,and to realize religious introspection in literary cre-ation.Through the two-way interaction between materialization of human group and the subjecti-fication of individual,the writer metaphorically criticizes the materialization of Western civiliza-tion in the subjective reality and embodies the religious spirit of the Russian nation.The spirit of“love”as the core can unify everything and make literary creation spiritual.This paper attempts to explore the creative metaphors and belief foundations in Nabokov's literary games from the angle of religious philosophy,in order to provide a research path worthy of reference for the un-derstanding and interpretation of classic literary works.
出处
《外语与外语教学》
CSSCI
北大核心
2019年第4期131-138,150,共9页
Foreign Languages and Their Teaching
基金
国家社会科学基金重大招标项目“东正教与俄罗斯文学”子项目“东正教与俄罗斯文学中的国家形象构建”(项目编号:15ZDB092)
“江苏高校优势学科建设工程三期项目”(优势学科代码:20180101)
“江苏高校品牌专业建设工程资助项目”的阶段性成果
关键词
《斩首之邀》
纳博科夫
创作主体性
宗教哲学
Invitation to a Beheading
Nabokov
creative subjectivity
religious philosophy
