摘要
本文以考察清末民初温州地方画家汪如渊及其海上弟子的绘画创作与教育活动的史实为基础,讨论在时代精神与教育理想的嬗变之下,师生之间画学理念的传承与转变。并以此为线索,梳理近代温州地方画史的基本脉络,也为宏观观察近代海上绘画,考察近现代绘画史上“中西结合”与“弘扬国粹”的关系,提供一个典型个案。
Through investigating painting practice and educational activities of the Wenzhouese painter Wang Ruyuan and his disciples during the late Qing Dynasty and early Republic of China,this paper discussed how Wang’s painting thoughts were inherited and transformed by his students in the light of the zeitgeist behind them,and roughly sketched the historical development of the local painting in Wenzhou.It offers a typical case for observing Shanghai’s painting panorama in modern times as well as the cultural contacts between China and the West with the focus on“the Sino-western integration”and“the dissemination of national quintessence”in the development of modern painting from a macro perspective.
作者
丁海涵
DING Haihan(College of Fine Arts and Design,Wenzhou University,Wenzhou,China 325035)
出处
《温州大学学报（社会科学版）》
2019年第5期30-39,共10页
Journal of Wenzhou University：Social Science Edition
基金
浙江省哲学社会科学规划课题(15NDJC106YB)
关键词
清末民初
汪如渊
中西结合
弘扬国粹
画学理念
the Late Qing Dynasty and Early Republic of China
Wang Ruyuan
the Sino-western Integration
the Dissemination of National Quintessence
Painting Thoughts
