摘要
中国小说由小道向主流的地位升迁 ,得益于晚清精英知识分子启蒙话语的植入。与此同时 ,一种潜在地受西方影响的文学“游戏说”也悄然产生。晚清文学游戏说 ,是一种既不同于新小说家之“载道”功利 ,又有别于传统中国小说之消遣娱乐的具有现代美学意识的文学观 ,它产生于晚清一批与“科名”失之交臂 ,或有意无意间沦为社会边缘的知识分子中。论文以《游戏世界》、《小说林》杂志及王国维、周氏兄弟为个案 ,对这个文学思潮的产生与状况进行描述。
Chinese novels owed their elevation to the introduction of enlightenment discourse by elite intellectuals in the late Qing Dynasty when there arose simultaneously a literary 'recreative'concept subconsciously affected by the West. The concept--a literary trend of thought with modern aesthetic consciousness, was not only distinct from the 'zaidao' function of new novelists but also different from the recreational pleasure of traditional Chinese novels. It derived from a host of intellectuals in the late Qing Dynasty, who were either thwarted in 'narional civil examinations' or degenerated to the edge of social margin consciously or subconsciously. By making case study of some magazines, and of Wang Guo-wei and the Zhou brothers, this paper expounds on the occurrence and state of such a literary trend of thought.
关键词
晚清
主流
边缘化
游戏说
late Qing Dynasty
main trend
marginalization
concept of recreation.
