摘要
在中国文学史上,诗、赋关系紧密,汉魏六朝赋却对诗歌产生着较大的影响。萧统《文选》首选者是"赋",而且差不多占了全书三分之一的篇幅,由此可知赋在当时人们心目中的重要性。蔡邕《述行赋》影响曹植的《赠白马王彪》,山水赋影响山水诗;汉魏六朝赋影响宫体诗。但是,受汉魏六朝赋影响的宫体诗,与汉魏六朝赋之间始终存在着某种悖论:"劝百讽一的悖论""德与色的悖论""评价体系上的悖论",这使宫体诗吃尽了苦头,承受了千古骂名。但也收获了意义:即在原来"不相容"的不同的体裁中,开启了对同一种美人主题的试验;并把赋大量铺陈的方法入诗,改变了诗歌比兴的结构。在齐"永明体"以后,开创出属于萧家"东阿王"宫体诗的事业。
In the history of Chinese literature,poetry and fu were closely related with each other like two brothers.And in the Wei-Jin and the Northern and Southern Dynasties,fu played the role of elder brother to lay its influence on poetry. When read Wen Xuan,you will find fu was chosen as the first and foremost which occupied one third of the content. Cai Yong’s'Fu on Recounting a Journey'( Shu xing fu) influenced Cao Zhi’s'Presented to Cao Biao,Prince of Baima'( Zeng Baima King Biao). Landscape fu influenced landscape poetry. The fu of the Wei-Jin and the Northern and Southern Dynasties influenced palace-style poetry. But their relationship in the Wei-Jin and the Northern and Southern Dynasties still embedded with some paradoxes — the paradox of encouraging the most while satirizing the few,the paradox of morality and salacity,and the paradox of assessment system — which reduced the palace-style poetry to its ever-lasting infamy. But it had its historical significance. In the two incompatible literary genres,the same theme of beauty had been carried out. And the special technique of elaboration of fu was employed in the creation of poetry.This had changed the bi-xing structure of poetics. The palace-style poetry was set up after that of yongming style.
作者
曹旭
蒋碧薇
Cao Xu;Jiang Biwei(College of Humanities and Communication,Shanghai Normal University,Shanghai 200234,China)
出处
《复旦学报（社会科学版）》
CSSCI
北大核心
2019年第1期51-60,共10页
Fudan Journal（Social Sciences）
基金
国家社科基金重大项目"东亚<诗品><文心雕龙>文献研究集成"(项目批准号:14ZDB068)
上海高校高峰学科建设计划上海师范大学中国语言文学项目
国家重点学科--上海师范大学比较文学与世界文学专业建设项目的阶段性成果
关键词
萧纲
宫体诗
汉魏六朝赋
悖论
Xiao Gang
palace-style poetry
fu of the Wei-Jin and the Northern and Southern Dynasties
paradox
