摘要
作为观念形态的文艺作品,都是一定的社会生活在人类头脑中的反映的产物。《镜花缘》缩印着十七至二十世纪初的社会现象、社会意识及作家个人的思想倾向。从众才女的身份特征中可以窥见闺秀文化的繁荣之因及“一门风雅”之现象;从文本的叙事结构中得以捕捉流行当时的“才女福薄”之观念,以及根源于男性中心批评标准下对妇女“才德双全”的要求;在众才女名不副实的科考结果下,映射着封建集权主义下科场之无常,并投映出“才子们”的悲剧人生。游戏笔墨的背后是作家以神幻空间的创设完成了对理想世界的构建,渗透着李汝珍对妇女问题的冷峻思考。
As an ideological literary, artistic work is the reflection of certain social life in the human mind. Flowers in the Mirror is an abbreviation of social life, ideology and imperial examination system from the seventeenth to the early twentieth century. We can see the reasons for the prosperity of the female culture and the phenomenon of “A phenomenon of family members are all rich cultural accomplishment” from the identity characteristics of the numerous talented women;Capture the popular concept of “talent is better than fortune” from the narrative structure of the text at that time, as well as the requirement of "both talents and virtues" for women under the criterion of male-centered criticism;under the unrealistic scientific examination results of the numerous talented women, it reflects the feudal centralism. It is impermanent and reflects the tragic life of "talented people". Behind the game, the writer completed the construction of the ideal world with the creation of magical space, permeating LI Ru-zhen's grim thoughts on women's issues.
作者
雷晶晶
LEI Jing-jing(School of Chinese Language and Literature,Shaanxi University of Technology,Hanzhong 723001,China)
出处
《佳木斯大学社会科学学报》
2019年第5期100-104,共5页
Journal of Social Science of Jiamusi University
关键词
《镜花缘》
史料价值
才女身份
才女福薄
科场无常
女性意识
Flowers in the Mirror
the value of historical materials
talented is better than fortune
female consciousness
