摘要
长沙窑瓷器存有大量的唐代佚诗,通过对其整理、分析,可发现其在文学艺术表现上喜用“叠字、重字”,部分诗歌存在“一与多”的对立结构与描写,在长沙窑瓷诗中也存在使用频率较高的“套语”与固定格式。从文学风格与内容题材来看,其与六朝时期流行于荆楚地区的荆楚西声存在沿袭性。长沙窑瓷诗的出现与长沙窑大量使用题记装饰的商业意识及安史之乱导致的北人南迁至长沙,新乐府运动倡导的诗歌通俗化关系密切。
There are a large number of poems of the Tang Dynasty in the Changsha kiln porcelain. Through collation and analysis, it can be found that reiterative locution and repetition are frequently used, and opposite structure of “one and many” in description are employed in some poems. Changsha kiln porcelain poems also have a relatively high frequency of “set language” and fixed format. From the perspective of literary style and content, it is in line with the Jingchu West sound popular in the Jingchu area during the Six Dynasties. The appearance of the Changsha kiln porcelain poems, the commercial consciousness of the Changsha kiln using a large number of inscriptions, and the migration of the northern residents to the south caused by An Lushan Rebellion, and the poetry popularization promoted by the New Yuefu Movement are all closely related.
出处
《杜甫研究学刊》
2019年第3期112-121,共10页
Journal of Du fu Studies
关键词
长沙窑瓷诗
文学风格
荆楚西声
兴起背景
Changsha kiln porcelain poetry
literary style
Jingchu Xisheng
the background of rise
