摘要
唐代“陵阳公样”在中国古代装饰纹样演变历史中有承上启下的重要地位。针对图式中对称、饱满等艺术特色的归纳,采用文献分析、图像对比、设计实践等研究方法,结合图形美学、设计学、图像心理学等多学科知识,对陵阳公样图式的构图和题材方面进行图案再设计。通过对家用纺织品市场趋势的总结,以跨界联合作为创新图形在家用纺织品中应用的创新点,将新型夜光材料、栽绒技艺、激光雕花加入窗帘、地毯、抱枕等产品设计方案中,将特点鲜明的陵阳公样图式这一传统文化符号进行广泛传播。
The "Lingyanggongyang pattern" of the Tang Dynasty has an important position in the ancient Chinese decorative patterns.In summary of the symmetry, fullness and other artistic features in the schema, combining multidisciplinary knowledge such as graphic aesthetics, design aesthetics, and image psychology,this article discusses the pattern design method for the composition, theme and performance of the Lingyang public sample.Through a summary of the trends in the home textile market,this article disseminates the pattern using cross-border and joint as an innovation in graphics applications,adding new luminescent materials, tufting techniques, and laser engraving to curtains, carpets, pillows, and other product designs.
作者
刘春晓
单筱秋
张毅
LIU Chun-xiao;SHAN Xiao-qiu;ZHANG Yi(Institute of Textile and Apparel,Jiangnan University,Wuxi Jiangsu 214122,China;Institute of Design Art,Nanjing ArtsUniversity,Nanjing Jiangsu 210013,China)
出处
《武汉纺织大学学报》
2019年第5期52-58,共7页
Journal of Wuhan Textile University
基金
国家社科基金艺术学重点项目(15AG004)
中国非物质文化遗产传承人群研修研习培训计划项目(文非遗収[2017]2号)
江苏省社科项目(16YSB007)
关键词
陵阳公样
图像形式
图案设计
工艺创新
Lingyanggongyang pattern
form
graphic design
process innovation
