摘要
中国电视文化节目要取得良好发展的态势,只是采取引进与吸纳他者的经验显然是不够的,自主创新与发掘我们的经验并以发展及超越为目标,是中国电视文化节目的必由之路。在各电视台加强节目原创与开发之际,文化类电视节目能够引起观众的注意,如《见字如面》《马克思是对的》等,在节目构思、立意确定、环节设定等方面都有其可取之处,代表着回归电视艺术本体的努力,这令观众拥有了更加丰富的选择空间与收视品类。
If China ’s cultural TV programs are to achieve long-term good development, it is far from enough to simply introduce and absorb the experience of others. Independent innovation, exploration of our experience, development and transcendence is the only way for China ’s cultural TV programs. At the time when TV stations strengthen the originality and development of programs, cultural TV programs can attract the attention of the audience. Among them, from “Letters Alive” to “Marx was Right”, have the merits in conception, determination, link setting and other aspects, representing the efforts to return to the ontology of TV art, which gives the audience a richer choice of space and viewing categories.
作者
叶志良
郑晓君
YE Zhiliang;ZHENG Xiaojun
出处
《浙江艺术职业学院学报》
2019年第2期46-49,63,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
电视文化节目
艺术本体
节目创新
cultural TV program
art ontology
program innovation
