摘要
进入21世纪之后,图像研究逐步成为了学界关注的中心问题之一。图像研究有图像理论和视觉文化两个重要的分支。进入本世纪后,在对西方的图像理论进行介绍的同时,国内学者也在积极地探索、构建本土图像理论体系。但在图像理论批评实践中,国外图像学方法依旧垄断了国内的图像阐释。视觉文化方面,进入新世纪之后,一方面,学者们或以系统的方式或以“散兵突击”的形式对视觉文化基础理论进行探讨。另一方面,在视觉文化的批评实践中,从影视新媒体及其传播的视角出发进行的批评实践比重不断增加。
After entering the 21st century,the image research has gradually become one of the central issues of concern in the academic circles.The image research has two important branches of image theory and visual culture.After entering this century,while introducing the western image theory,the domestic scholars are also actively exploring and constructing the local image theory system.However,in the practice of image theory criticism,foreign image science methods still monopolize the domestic image interpretation.In terms of visual culture,after entering the new century,on the one hand,scholars discuss the basic theory of visual culture in a systematic way or in the form of"scatter assault".On the other hand,in the practice of visual culture criticism,the proportion of criticism practice from the perspective of new media and its dissemination is increasing.
作者
赵炎秋
姚尧
Zhao Yanqiu;Yao Yao(College of Liberal Arts,Hunan Normal University,Changsha Hunan 410081,China)
出处
《衡阳师范学院学报》
2019年第4期118-126,共9页
Journal of Hengyang Normal University
基金
国家社会科学基金项目“艺术视野下文字与图像关系研究”(13BZW011)
