摘要
刘天华先生在琵琶音乐创作方面为世人留下十五首练习曲与三首独奏曲。三首琵琶曲分别为:《歌舞引》《改进操》和《虚籁》,从20世纪初至今一直被世人称为国乐的经典之作。刘天华先生的作品中西兼并、融会贯通,其采用西方先进的作曲技巧展现本民族固有的国粹精华,并将其“发扬民族音乐”的思想传播给世人。通过分析刘天华先生三首琵琶曲的音乐创作及演奏技巧,总结刘天华先生“中西兼并”的音乐创作理念。
Mr. Liu Tianhua left fifteen etudes and three solo pieces in Pipa music creation for the world. The three Pipa songs are: Song and Dance, Improved Practice and Virtual, which have been called the classical Pipa song in the national music since the beginning of the 20th century. Mr. Liu Tianhua’s works are merged and integrated in the West and China, adopting the advanced Western composition techniques to show the essence of our nation’s ancient quintessence and spreading the idea of “promoting national music” to the world. This paper analyzes the music creation and performance skills in Mr. Liu Tianhua’s three Pipa songs, and sums up his music creation concept of “Chinese and Western Merger”.
作者
姜义龑
Jiang Yiyan(School of Music and Art, Fuyang Normal University, Fuyang 236001, China)
出处
《黑河学院学报》
2019年第8期191-192,212,共3页
Journal of Heihe University
基金
阜阳师范学院人文社会科学重点项目“刘天华国乐艺术传承创新机制研究”(2017FSSK02ZD)
关键词
刘天华
琵琶音乐
中西兼并
创作理念
Liu Tianhua
Pipa music
merger between China and the west
creation concept
