摘要
蒲松龄在《聊斋志异》中描绘了各式各样奇幻的爱恋,同性恋亦在其关注之列。《聊斋志异》不仅书写了当时社会司空见惯的男同性恋,还以细腻的笔触书写了被主流社会所排斥的女同性恋。通过对这些同性恋篇章的分析,笔者发现,男同与女同的书写在叙事特征、思想内容上存在异同。透过文本,我们也能从中窥探作者对男同、女同的不同态度。然而,身处男权主导的古代社会中的作者仍不免挣扎在情、欲、理的困惑之中。
Pu songling depicted a variety of fantasy love affairs in the Strange Storys from a Chinese Studio,including homosexuality. the Strange Storys from a Chinese Studio not only depicts the common gay men in the society at that time,but also depicts the lesbians rejected by the mainstream society with delicate brushstrokes. Through the analysis of these homosexual chapters,I find that the writing of gay and lesbian has similarities and differences in narrative features and ideological content. Through the text,we can also peek into the author's different attitudes towards gay and lesbian. However,the author in the ancient society dominated by male power still struggled in the confusion of emotion,desire and reason.
作者
余宁宁
YU Ning-ning(School of literature,Shandong University,jian 250100,China)
出处
《蒲松龄研究》
2019年第3期50-58,102,共10页
Study on Pu Songling
关键词
同性恋
叙事特征
精神恋爱
情理欲困惑
homosexuality
narrative characteristics
spiritual love
confusion of emotion
reason and desire
