摘要
《凿空》到《捎话》的相继完成,体现出刘亮程小说创作的逐渐成熟,作品延续其散文创作的诗性语言,但叙述视角从对个体生命的体悟转向对社会历史的观照,并进一步上升到对历史本质的思辨;《凿空》是将历史作为人在其中生活、行动的背景去叙述,是对历史全方位的表现,而在《捎话》中是将历史本身作为‘存在’去思考,是对历史本质的祛魅。人类历史是复杂而厚重的,它总在一个个破碎的、似是而非的片段中呈现出多样的理解与阐释,刘亮程以其独特的叙事策略在解构与重塑中审思人类历史,并以诗人的悲悯对生命进行人道主义关怀。
The completion of The Chiselling and Message has reflected the gradual maturity of Liu Liangcheng’s novel creation.The works continue his poetic language in prose creation, but the narrative perspective shifts from the realization of individual life to the observation of social history,and further rises to the speculation of history.The Chiselling is to describe history as the background of people living and acting in it,which is a manifestation of all-round history;while Message depicts the history itself as “existence” and traces back to the essence of history.Human history is complex and heavy.It always presents diverse understandings and interpretations in fragmented and plausible fragments.Liu Liangcheng considers human history in deconstruction and remodeling with his unique narrative strategy, and gives his concern with poet's sympathy.
作者
高菲
GAO Fei(College of Literature,Lanzhou University,Lanzhou 133000,China)
出处
《湖北工业职业技术学院学报》
2019年第4期54-59,共6页
Journal of Hubei Industrial Polytechnic
关键词
刘亮程
凿空
捎话
历史叙述
Liu Liangcheng
TheChiselling
Message
historical narration
