摘要
花押从魏晋时期便已流行于人们日常生活中。宋徽宗书画作品颇多,与印章相比,其花押极具艺术性与个性。前人学者对宋徽宗花押的分析停留在书法的笔顺结构方面,结合当时的社会环境、时代特点、宋徽宗本人的政治活动来解析宋徽宗花押非常重要。
Huaya (handwriting signs, marks used as personal art signature) had been popular in people’s daily life since the Wei and Jin Dynasties. Emperor Huizong of the Song Dynasty has left a lot of works of calligraphy and painting. Compared with the seal, his Huaya have distinctively artistic and individual character. Essays by previous scholars analyzing Song Huizong’s Huaya stay in the level of stroke order structure of his calligraphy. It is very important to analyze Song Huizong’s Huaya in combination with the social environment at that time, the characteristics of the times, and the political activities of Song Huizong himself.
作者
段霄芸
DUAN Xiao-yun(Art Institute, Hebei University, Baoding, Hebei 071000, China)
出处
《河北广播电视大学学报》
2019年第4期105-108,共4页
Journal of Hebei Radio & TV University
关键词
宋徽宗
花押
北宋
时代特征
Emperor Huizong of the Song Dynasty
Huaya
Northern Song Dynasty
characteristics of the times
