摘要
改革开放以来广西大型舞作的创作主要有《灯花》《北海珍珠城风情歌舞》《漓江情韵》《咕哩美》《妈勒访天边》《碧海丝路》《百鸟衣》《侗》《刘三姐》《花界人间》等10部作品,虽然改革开放以来广西的舞剧、舞蹈诗创作都体现出八桂文化的特征——舞剧创作主要是取材于神话传说、舞蹈诗主要是紧扣地域风情的创作现状,但大多潜在地受到“风格至上”理念的制约,因此,树立“表意优先”的创作理念在当前是至关重要的。只要真正树立了“表意优先”的创作理念,八桂文化语境中的大型舞作将会取得更大的进展。
There are around 10 large dance works which have been created in Guangxi after the Opening Up and Reform,such as Lantern Flower,Flirtatious Songs and Dance in the Pear City in Beihai Sea,Feelings in Li River,Guli Beauty,Male Visiting Afar,The Maritime Silk Road,Hundred-birds Cloth,Dong,Liu Sanjie,and Floral Men s World.Although the creation of dance drama and dance poem all represent the Bagui(Guangxi)cultural characteristics after the Opening Up and Reform as the creation of dance drama is themed on legends and myths,dance poem is based on local stories,most of them are restricted by the idea of“style-oriented”.Therefore,it is important to establish the creation idea of“meaning-expression first”.As along as the creation idea of“meaning-expression first”is established,bigger progress of the large dance creation in the context of Bagui culture can be made.
作者
于平
黄丹
Yu Ping;Huang Dan(China Artistic and Literary Critics Association,Beijing,10008;Shenzhen University;Music College of Guangxi Normal University,Guilin,Guangxi,541004)
出处
《民族艺术研究》
CSSCI
2019年第4期49-59,共11页
Ethnic Art Studies
关键词
八桂文化
大型舞作
广西舞剧
舞蹈诗
表意优先
the Bagui culture
large dance creation
Guangxi dance drama
dance poem
meaning-expression first
