摘要
《诗人主客图》为晚唐诗歌理论著作。尽管它不以诗歌选本的面貌呈现,但在形式上,它确实有注重选诗的一面。从"选本"这一独特的维度入手,对照其他唐人所选唐诗选本对《诗人主客图》进行审视,可以窥见中晚唐诗歌不同的存在状态。每一部唐人所选唐诗选本都呈现出其编选者独有的旨趣和审美取向,作为集大成的风格理论著作,张为的《诗人主客图》无疑是这方面的一个"绝佳综合"。
The Category of Poet’s Host and Guest is the theoretical work of the late Tang poetry. Although it is not presented in the form of a poetry anthology, it does have a focus on the choice of poetry in terms of form. Starting from the unique dimension of poetry anthology, comparing the selection of Tang poems selected by other Tang Dynasty theorists, and examining The Category of Poet’s Host and Guest,we can have a glimpse of the different styles of poems in the middle and late Tang Dynasty. Each Tang Dynasty poetry selection presents the unique purpose and aesthetic orientation of its editors. As a comprehensive theoretical work on poetry style, The Category of Poet’s Host and Guest by Zhang Wei is undoubtedly an excellent synthesis in this respect.
作者
赵目珍
ZHAO Muzhen(School of Humanities,Shenzhen Polytechnic,Shenzhen,Guangdong 518055,China)
出处
《深圳职业技术学院学报》
CAS
2019年第4期24-28,共5页
Journal of Shenzhen Polytechnic
基金
深圳职业技术学院2017年度青年创新项目“《诗人主客图》版本校勘及研究”(编号:601722S32022)
广东省哲学社会科学规划项目“《主客图》与中国诗歌流派的发生学研究”(编号:GD13YZW02)阶段性成果
关键词
诗歌选本
比较视野
《诗人主客图》
审美取向
poetry anthology
comparative perspective
The Category of Poet’s Host and Guest
aesthetic orientation
