摘要
“跳端公”原本是在原生环境中由特定的人群为满足生产生活需要而创造的民间祭祀文化,并且在自我场域中不断发展。在后移民时期,“跳端公”面临文化生态失衡的危机,主要表现为生存空间的萎缩、传承主体的缺失和现代文明与民间文化间的冲突。文章以三峡库区后移民时期为历史背景,从文化生态学的视角出发,对移民后“跳端公”文化生态系统中的文化主体、文化客体以及文化空间的非常态发展进行研究和探讨。以期推动“跳端公”在新时代多元文化的碰撞中以其独特性、地域性和认同性得以存活。
"Jumping duan gong" is originally a folk sacrificial culture created by specific people in the original environment to meet the needs of production and life, and it develops continuously in the field of self. In the post-migration period,"jumping the dragon boat" is faced with the crisis of unbalanced cultural ecology, which is mainly manifested as the shrinking living space, the lack of inheritance subjects and the conflict between modern civilization and folk culture. Based on the historical background of the post-migration period in the three gorges reservoir area and from the perspective of cultural ecology, this paper studies and discusses the abnormal development of cultural subjects, cultural objects and cultural space in the post-migration "jumping the dragon boat" cultural ecosystem. In order to promote the "duangong" in the new era of multicultural collision with its unique, regional and identity to survive.
作者
王海涛
李佳霓
Wang Haitao;Li Jiani(Chongqing University College of Art, Chongqing China, 401331)
出处
《地方文化研究》
2019年第3期58-65,共8页
Local Culture Research
基金
2018年重庆市社科规划项目“重庆‘非遗’舞蹈传承人口述史与数字化保护研究”(项目编号:2018YBYS151)
2018年重庆大学“重庆市研究生科研创新项目”“重庆‘非遗’舞蹈传承人口述史研究”(项目编号:CYS18070)
2019年“国家民委人文社科重点研究基地”重点项目“社会转型期渝东南非遗分类管理机制研究:以秀山花灯等民俗类项目为例”(项目编号:XNYJZ1902)
关键词
“后移民时期”
“跳端公”
文化变迁
文化生态
非物质文化遗产
"Post-immigrant period"
"Jump duan gong"
Cultural change
Cultural ecology
Intangible cultural heritage
