摘要
中国与西方舞蹈史有一奇特现象:中国现当代舞蹈创作以叙事性为主流,并奉行现实主义理论,恰与西方20世纪前的“模仿论”时代相似;而西方20世纪后的抽象表现主义,恰与中国古代抒情性舞蹈的大写意雷同。它证明表现主义与再现主义均为人类舞蹈必经之路,不能以此论先进与落后,两种现象在实践中也常是你中有我,我中有你。在当下全球化时代,两种倾向必定能够共存,为我所用。
A reciprocal influence could be seen in the development of the Chinese and the Western dance. The contemporary Chinese dance looks highly upon narration and realism, just as the Western dance before the 20th century considered art as an imitation, while the abstract expressionism of the Western dance after the 20th century shares similarities with the ancient Chinese dance that emphasizes the abstract expression of emotion. This indicates that expressionism and representationalism are essential in the art of dance, and they often overlap with each other in practice, which may benefit the development of the Chinese dance.
出处
《文化艺术研究》
CSSCI
2019年第2期41-47,共7页
Studies in Culture and Art
关键词
反向交替
表现主义
再现主义
现实主义
reciprocal influence
expressionism
representationalism
realism
