摘要
“新”是方回诗论中的一个重要范畴。“新”是由一般的文化领域逐渐衍渗到诗学领域的。这一范畴的提倡,与方回对晚唐体和江西诗风的纠偏与革新有关。他认为求“新”不仅是创作论的内在要求,也是作品得以传世的重要因素。“新”与作品的审美风格也有关联,“新”与“奇”“熟”“格高”等范畴密切相关,共同构成了诗歌审美论的组成部分。“新”与“奇”具有统一性,并与“熟”具有互补性,同时也是实现“格高”的重要途径。元代大量诗法类著述的出现,就与方回诗论中的求“新”倾向有某种关联。此种观念一定程度上利于革除诗坛弊病,且对宋元诗风的转关和元诗的宗唐倾向产生了不可忽视的影响,同时也推动了后世诗歌写作技巧的日益纯熟。
"New" was an important category in Fang Hui's poems, and penetrated into poetics from cultural studies. The promotion of this category was related to the reform of the late Tang Dynasty and Jiangxi poetry. He believed that seeking "newness" was not only an inherent requirement of a creation theory, but also an important means for the work to be handed down."New", related to the aesthetic style of the works, was closely related to the categories of "odd","mature" and "elegant", which together constituted a part of the aesthetic theory of poetry. The emergence of a large number of poems in the Yuan Dynasty had some connection with the "new" tendency in Fang Hui's poems. This concept was conducive to the removal of the poetic defects of that time to a certain degree, and did a neglectable influence on the transformation of the Song and Yuan poetic style. It also promoted the increasingly sophisticated poetic writing skills of later generations.
作者
何长盛
HE Chang-sheng(Graduate School,Chinese Academy of Social Sciences,Beijing,102488)
出处
《新疆大学学报（哲学社会科学版）》
CSSCI
2019年第4期116-123,共8页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
国家社会科学基金青年项目“‘怨’与中国文论的批判精神研究”(18CZW001)
中国社会科学院创新工程重大专题项目“中华优秀传统文化创新转化与新时代中国特色社会主义文化建设研究”(2017YCXZD010)
关键词
方回
诗学观念
“新”
审美范畴
Fang Hui
Poetic Concept
"New"
Aesthetic Category
