摘要
日本正仓院所见诸多“含绶鸟”纹,是以唐、萨珊为代表的亚欧大陆文明对当时日本社会产生深刻影响的一处缩影,亦是在亚欧丝绸之路上广泛分布的“含绶鸟”图像的皇权征途的最东端。“含绶鸟”纹以“绶带”为核心元素,展示了古代亚欧地区共通的权力崇拜心理和普遍的权位等级意识。而纹饰形成背后所蕴含的思维模式则与自古以来世界各地均存在的神话思维息息相关,显示出具象性、情感性等特征。
“Birds with ribbons in mouth”patterns seen inShoso-in,which was a treasury of the royal family of Japan,are a microcosm of the profound impact of the Eurasian civilization represented by Tang and Sassan on the Japanese society at that time.It is also the easternmost part of the royal right journey of the pattern,which widely distributed on the Silk Road between Asia and Europe.The pattern shows the common psychology of power worship and the general sense of power hierarchy in ancient Asia and Europe.The thinking modelof the formation of the pattern is closely related to the mythical thinking that has existed all over the world since ancient times,showing the characteristics of embodiment and emotionality.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2019年第3期52-59,I0001-I0002,共10页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
中央高校基本科研业务费“艺术理论及方法研究”NO.2019CDSKXYYS0034资助~~
关键词
含绶鸟
正仓院
权力等级
神话思维
Birds with ribbons in mouth
Shoso-in
Power and hierarchy
Mythical thought
