摘要
京剧《二进宫》,表现明穆宗死后,太子年幼,李艳妃执意要让其父李良代理朝政,遭到开国将徐延昭与兵部侍郎杨波在金銮殿的坚决抵制。以致李妃怒到要“打”砸玉玺。李良终于得势,图谋篡位,将李妃封锁在“昭阳”。李妃悔,“跪”求徐杨,终于平息叛乱。本文依据徵羽宫三色“三音列”,剖析“打”和“跪”的两段戏,展示京剧皮黄腔特殊的表现功能。
The Beijing Opera"Twice Entering the Palace"shows that after the death of Ming Mu Zong,the prince was still young,and Li Yan Fei insisted on letting her father,Li Liang,to be the acting ruler.It was resolutely resisted by Xu Yanzhao,the founding general,and Yang Bo,the deputy minister of defense,at the Temple of Jin Luanyuan.As a result,Li Yan Fei was angry enough to"beat"the jade seal.Li Liang finally gained the power and he tried to usurp the throne by blocking Li Yan Fei in“Zhao Yang”.Li Yan Fei repented,knelt and begged Xu Yang,and finally quelled the rebellion.Based on the tricolor"three tone series"of the zhi mode,yu mode,and gong mode,this paper analyzes the two acts of"beating"and"kneeling"in the show to show the special performance function of the“pi”and“huang”melodies of Beijing Opera.
出处
《南京艺术学院学报（音乐与表演版）》
CSSCI
2019年第2期52-58,I0003,共8页
Journal of Nanjing Arts Institute:Music & Performance
关键词
徵羽宫
三音列
三色论
生旦净
zhi mode
yu mode
gong mode
three tone series
tricolor theory
sheng,dan,jing
