摘要
汉代铜镜上的纹饰为了解当时人们的审美观念及思想意识提供了丰富直观的材料。钱纹题材来源于社会流通的钱币,是汉代铜镜上一种并不多见的装饰纹样,它的出现是人们追求财富心理的一种表达。从目前比较可靠的资料来看,汉代铜镜上的钱纹有五铢和大泉五十两种,前者发现的数量最多且形式多样,后者所见寥寥。本文搜集大量考古出土和博物馆收藏的饰有钱纹的铜镜材料,首先依据钱纹上文字的变化进行简要的类型划分,同时将与钱纹组合出现的纹饰及组合情况予以分类介绍;在此基础上,考察钱纹在铜镜上出现的时间,并挖掘其传递出的汉代人的财富观念以及阴阳思想对这一观念的影响等文化内涵;最后从汉代商品经济的发展、人们的求富心理与习俗信仰以及铜镜铸造业的发展情况等方面,探讨铜镜上钱纹产生的社会背景。
The decorations on the bronze mirrors of the Han dynasty provided abundant intuitive materials for understanding the people’s aesthetic concepts and ideology at that time.The cask pattern was derived from the coins in circulation in the Han dynasty to express the pursuit of wealth,but it was not common on the bronze mirror.From the available reliable materials,there are the two kinds of cask patterns on the Han bronze mirrors in the shape of"Wuzhu"coins and"Daquan Wushi"coins.The former are large in quantity and diverse in form,while few of the latter are found.Based on large number of materials of bronze mirrors with cask patterns originated from archaeological excavations or museum collections,the paper makes a brief classification according to the text in the pattern firstly and an introduction of the combinatorial decoration and model.Then the paper makes an exploration of the age when the cask pattern appeared on the bronze mirrors and the cultural connotation such as the thought of Yin and Yang and its influence on the wealth concept in the Han dynasty.Finally,the paper makes a discussion of the social background of the appearance of the cask pattern from the following aspects such as the development of the commodity economy,people’s desire for wealth,the custom and belief,the situation of foundry industry of bronze mirrors and so on.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2019年第5期40-51,共12页
Journal of National Museum of China
关键词
汉代
铜镜
钱纹
财富观念
The Han dynasty
bronze mirrors
cask pattern
wealth concept
