摘要
现代中国文学肇始于作为“形式”的审美意识的觉醒,王国维以“古雅”为传统文学的“诗性”抒情形态予以了最后的总结,同时也沟通了“小说”叙事形态与现代世界的联系。新文化运动尝试以“白话”语言的革新来完成中国的“文艺复兴”,白话的“美文”却使汉语文学自身的“诗性”传统得以“再生”和“重建”。另一方面,区别于哲学式定型概念的智慧性的“随笔”式“散体书写”,也以“现代”的眼光对传统中国文化所形塑出来的中国人的“心灵”给予了全面而深刻的重新审视与批判。现代“小说”在时间维度上主要呈现为0常生活史、个体精神史和民族国家史三种特定的“形式”。而在空间维度上主要呈现为“移植性”摹仿的都市叙事形态与融入自然的“乡土”叙事形态两相“并置”的“形式”样态,。
Modern Chinese literature originated from the awakening of aesthetic consciousness as “form”.WANG Guowei made a final conclusion taking “Classically elegant” as the lyric form of “poetic nature” in traditional literature,at the same time,also communicated the connection between the narrative form of “novel” and the modern world.The New Culture Movement tried to complete the “renaissance” of China with the innovation of the “vernacular” language,the “exquisite literary style” of vernacular made the “poetic” tradition of Chinese literature itself “regenerated” and “rebuilt”.On the other hand,the desultory essay writing,which was different from the stereotyped philosophical form,also gave a comprehensive and profound re-examination and criticism to the “soul” of the Chinese people shaped by the traditional Chinese culture from the perspective of “modern”.Modern novel mainly presented itself in three specific forms in the time dimension:daily life history,individual spiritual history and nation-state history.In the spatial dimension,it was mainly presented as the “form” pattern which urban narrative form of “portability” imitation and “local” narrative form of integrating the nature juxtaposed.
作者
贺昌盛
黄云霞
HE Changsheng;HUANG Yunxia(Department of Chinese Language and Literature,Xiamen University,Xiamen,Fujian 361005;Department of Chinese Language and Literature,Jimei University,Xiamen,Fujian 361021,China)
出处
《江西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2019年第3期40-48,共9页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金重点项目“中国现代文学基础理论文献的整理与研究”(编号:14AZW001)
