摘要
中国电影学派的建构要始终立足于中国的文化土壤,将中国电影放置在中国文化的发展脉络中去考察,进而提炼出中国电影学派的核心理念。梳理百年中国电影文化发展的大脉络,其在发展中形成了三大历史主调:革命文化、人民电影、多元开放。这三个时期在思想与美学层面的背反状态均深刻影响着中国电影的创作实践与文化建构。
More than a century has passed since the art of film was introduced in China.During this long period, Chinese film art has been constantly absorbing and integrating the characteristics of Chinese traditional culture, and has grown in revolutions and developed through innovations.Constructing Chinese film school as well as sorting out the historical pedigree and developing logic of Chinese films theoretically can contribute to the formation of the discourse system of Chinese films, thus their artistic characteristics can be truly grasped and highlighted so that we can strengthen our cultural confidence and continually cast new resplendence of Chinese culture.For these above reasons, we have organized this conversation by writing to discuss the topic of "the construction of Chinese film school theories".Professor Zhang Zhengwen at University of Chinese Academy of Social Sciences believes that in order to construct Chinese film school, we should firstly reveal the views on film art and ideologies of China by describing the historical pedigree of Chinese films, and then set up the central theme and iconic concept of Chinese films.Professor Hou Guangming at Beijing Film Academy sees the mission of Chinese film school as film making and carrying out academic researches with distinctive national spirits and aesthetic tastes, and forming a film school with Chinese aesthetic culture characteristics to strengthen the international influence and discourse power of Chinese films.Professor Hu Zhifeng from Beijing Normal University thinks that the construction of Chinese film school should root in the soil of Chinese culture, and the investigation of Chinese films should be made through the development venation of Chinese culture.In the venation of Chinese film art development in the past century, three historical motifs have been formed: revolutionary culture, film of the people and multi-dimensional opening-up.The antinomy in the ideologies and aesthetics in these three periods has deeply influenced the creative practice and
出处
《中国社会科学院研究生院学报》
CSSCI
北大核心
2019年第3期84-86,F0003,共4页
Journal of Graduate School of Chinese Academy of Social Sciences
关键词
中国电影
中国文化
学派
脉络
心理
提炼
文化土壤
文化发展
Chinese film school
discursive field
core concept
value system
cultural community of films
