摘要
通常被当作七月诗派一部分的平原诗社,实际上是在何其芳等人的影响下开始诗歌创作和文学活动的。平原诗人们的成长,也不是简单地接受既有主导价值和文坛秩序,汇入现代文学主潮的单向过程,而是立足于成都本土生存体验,有意识地对何其芳等人留下的"成都形象"展开抗辩性书写,由此展示和确立自身的历史存在。这种在人类学视野中展开的抗辩性书写,给以现代性视野为核心的中国新诗和中国新文学提供了独特的文学经验。
The Pingyuan Poetry Society,usually regarded as a part of the Qiyue Poetry School,started its poetry creation and literary activities under the influence of He Qifang and others.Their growth is not simply accepting the unidirectional process of dominant values and literary orders,or merging into the main stream of modern literature,but is based on the local survival experience in Chengdu,and their conscious and defensive writing about the “image of Chengdu” left by He Qifang and others,thus demonstrating and establishing its own historical existence.This kind of defensive writing in the perspective of anthropology provides unique literary experience for Chinese new poetry and Chinese new literature with the vision of modernity as its core.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2019年第3期103-110,共8页
Journal of Sichuan University：Philosophy and Social Science Edition
基金
西南交通大学中央高校基本科研业务费团队项目"中国现代文学史料学研究"(2682018WXTD02)
关键词
平原诗社
何其芳
成都形象
现代性
人类学叙事
The Pingyuan Poetry Society
He Qifang
The Image of Chengdu
modernity
anthropological narrative
