摘要
文章以周文中先生的弦乐四重奏《流泉》(Streams)为研究对象,主要围绕第一、二乐章展开分析,力图论证与表达两层含义:第一,作曲家通过作曲技术实现标题的寓意,以音高、音色、力度、演奏法等不同音乐要素在音乐发展中的渐变表达流泉这一景观;第二,作曲家在其作品中折射出自身所经历的不同地域的想象与表达,进而将东方的《易经》、书法、古琴艺术与西方的十二音音乐、赋格体裁、序列分割技术等连接于一起,融于此作之中。
By taking the string quartet “ Streams ” by Mr Zhou wenzhong as the research object, this paper mainly revolves around the first and second movement analysis, seeks to demonstrate and express two meanings: first, The composer uses composition techniques to achieve the implied meaning of the title, such as pitch, timbre, dynamics,playing method, and different music elements to show landscape of “ Streams ” in music development. Secondly, the composer reflects the imagination and expression of different regions he has experienced in his works, and then connects the eastern Yijing , calligraphy and Guqin art with the western 12-tone music, fugue genre and sequence segmentation technology, etc. in this work.
出处
《星海音乐学院学报》
CSSCI
北大核心
2019年第2期16-26,共11页
Journal of Xinghai Conservatory of Music
基金
教育部人文社会科学重点研究基地中央音乐学院音乐学研究所课题"中国专业音乐创作与传播未来发展研究"(16JJD760003)
上海市曙光人才计划项目"音乐文本分析与符号学跨学科研究"(14ZS050)
上海音乐学院"高峰高原作曲理论学科建设"项目(国家"双一流"高校建设)
关键词
《流泉》
变调式理论
赋格主题
" Streams "
Variable mode theory
Fugue themes
